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Interview: James Otter - Otter Surfboards, UK

As you may know, yours truly is from England, and though I deeply love living in New York, from time to time I glance over my shoulder to see what I’m missing. Brexit isn’t one of them, but Otter Surfboards most certainly is.

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We recently caught up with Otter Surfboards founder, James Otter, to find out more about his wooden surfboard company. Otter descends from a family of farmers and carpenters, so if there’s a gene for finding pleasure in working with your hands, Otter almost certainly has it. Growing up connected with the land and with craftsmanship Otter went on to attended one of England’s more outdoorsy, coastal universities, Plymouth. It was here that the idea of building wooden surfboards first struck.

Ice Cream Headaches: Tell us about the genesis of Otter Surfboards - where did the idea come from?

James Otter: The thought of making my first wooden board actually came from a magazine: The Surfer's Path. I was studying furniture making, heading into my final year and through the summer break they ran an issue called 'The Wood Issue', which exposed me to a whole world of wooden surfboard makers. I loved the idea of it, so began working out how to use local timber to make surfboards. After two years of experimenting, I got to a point where I was happy with the boards and started working out how to sell them.

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ICH: Did you know right away that you could make it work, or were you considering other paths at the time?

JO: I definitely didn't know if it would work, but I was young, so didn't have any financial commitments or dependants, and I had the 'If not now, when?' question rattling round my head. So I jumped into it and gave it all the energy I had. Luckily I've had such supportive friends and family that are still by my side to this day, who have helped make it all possible.

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ICH: You've said in previous interviews that you were surprised and very happy to discover that teaching people how to make these boards was almost as fulfilling as making them yourself. What is it about teaching, or the combination of teaching and making, that’s so satisfying?

JO: By teaching people to make things, you open them up to what they are capable of doing with their own two hands. It gives them such belief and confidence that you can't help but smile. Today, not many people stop and take the time to make anything, let alone something they plan on playing with in the ocean, so the excitement and anticipation that rattles round the workshop during our courses is just magical.

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ICH: What's the hardest thing about running this company?

JO: For me, it's simply the ambiguity of it all. We never know when the next order might land in our inbox, which leads to some pretty lean months, even years, which can be tricky to deal with. Although we definitely aren't in this to make lots of money (I think that would be incredibly hard), we do need to make enough to keep going, and that can be challenging at times. Luckily, after 8 years’ running the company, we're still here and still smiling. It still doesn't feel like a 'real job', hanging out with friends, laughing and surfing for most of our waking hours.

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ICH: For people who are deeply attached to surfing, but who’ve never tried a wooden board, what would you say to convince them to give it a go?

JO: I know for a fact that it isn't for everyone, but for those with an open mind it can transform your surfing. Our boards finish about 25% heavier than a typical foam board. They have momentum and carry speed, so they really suit big, smooth turns and flowing lines. If that's the kind of surfing you aspire to, then they could be just what you're looking for. Also, knowing exactly how they are made and what they are made from - literally being able to see where the trees once stood - is a big plus side for us. We make our boards to the absolute best of our abilities and know they will last decades, all of which contributes to better care for our planet.

Surfer Jonny Leon

Surfer Jonny Leon

ICH: How important are partnerships with other brands or sponsored surfers in spreading the word about your work and your boards?

JO: We love working with like minded people, companies and charities. It's a way to elevate what we do and expose ourselves to new audiences, so it works really well as a way of getting our name out there. It's also one of the most enjoyable parts of the job because each new partnership or project demands creativity and a new story.

ICH: Is there any surfboard technology you're aware of, or following, that you believe could make a meaningful dent in the environmental impact of mainstream surfboard manufacturing, and what are the barriers to wood as a material playing a bigger role in the industry?

JO: I think there are several that are interesting to keep an eye on, but it's a tricky question because most of them are still based on a very capitalist attitude of selling more products to make more money. It's really encouraging that you have larger manufacturers trying out new materials and manufacturing processes to try to make boards more sustainable, but there is also a heck of a lot of miscommunication and green-washing. The big manufacturers still, ultimately, rely on selling a huge volume of products to make their businesses viable. We focus on doing the least amount of harm we can and making the best product we can, but above all for us, we are building a community of like-minded individuals who will make real changes in their local communities. We can all make a difference.

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ICH: What is your vision for Otter Surfboards in the long term - do you plan to keep growing organically, or are there other plans for growth or diversifying on the horizon?

JO: There are some fairly natural progressions for us, but we enjoy doing what we do so much that it's mostly about the preservation of that. It's funny, we got together a few years ago as a team and decided that growth for us doesn’t mean chasing targets for more customers and more sales. Instead, it’s about finding ways to improve our customer's experiences, add more value to the surfboards and our care for people. We've got a few projects and plans up our sleeve, but ultimately we're keen to keep doing what we already do. When you have customers that make positive, life-changing decisions off the back of their experiences with you, it feels like we could hang up our tools tomorrow and be more than happy with how we’ve affected the world around us.

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We’d like to thank James Otter and photographer Mat Arney, for their time. Check out Otter Surfboards at their website here.

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Interview: John Weber - Surfrider Foundation

If you’re a ocean-going soul and you’re not already aware of an organization called The Surfrider Foundation, it’s about time you got an introduction. 

In its own words, Surfrider is dedicated to the protection and enjoyment of the world's ocean, waves and beaches through a powerful activist network.

Under the banner of this mission, Surfrider is focused on five key initiatives: to ensure public beach access, promote clean water, fight against plastic pollution, protect the ocean and preserve the coastlines around the US. It’s a tall order, but as the saying goes: it’s not the size of the dog in the fight, it’s the size of the fight in the dog. 

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To learn more about the critical and complex work Surfrider does on our behalf, we dropped a line to John Weber, Surfrider’s Mid Atlantic Regional Manager. 

Weber grew up in Bergen County, New Jersey. His grandmother had a beach house on Long Beach Island, were he caught the surf bug during long school summers. After some time away from the ocean at college in Virginia, he found his way back to the Jersey Shore where he’s lived ever since. We asked how John became involved with Surfrider.

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“A few years out of college, in the early 90s, I went to this classic longboarding event with a friend. Surfrider had a table there and they invited us to attend a chapter meeting later on. After we surfed my friend wasn’t interested in going to the meeting, but I decided to go along and learned more about what Surfrider does. I was interested in helping out, and started going to the chapter meetings regularly. They gave me things to do like tabling at surf contests and concerts.”

Weber took up a day job organizing professionally for NJ Citizen Action - a not-for-profit that fights for social, racial and economic justice. He continued volunteering for Surfrider, taking on more responsibility as time went on. 

In 2005, Surfrider brought on a new CEO and restructured to operate regionally. The organization began searching for full-time regional managers to help organize the dozens of chapters in every corner of the US. Weber’s professional background in not-for-profit organizing meant he was perfectly poised to take on the role. He became the first Surfrider employee on the East coast, and has now worked there for 13 years. 

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Somewhat uniquely, Surfrider measures its impact by the number of victories it wins when pitching itself against politicians and businesses whose actions could harm the ocean or the coast. Though the organization is largely comprised of volunteers, this simple indicator of success helps Surfrider to stay focused in its efforts and to learn lessons from each campaign that can be applied to the next - even when the next campaign may involve new volunteers or take place in a different part of the country. These guys really understand how to win a political fight.  

We asked Weber about the actual process involved in legislative battles. “My role has a practical function, in that a lot of hearings and meetings take place in the middle of the day. Volunteers are generally at work during the day, so I go to the meetings, cover them and provide input. I answer a shit-ton of emails and have a lot of conference calls! My goal is to try to organize support for a specific position or idea so it’s all in one place. This way our voice is more powerful and impactful. I’m not running around trying to convert people who don’t believe in a particular point of view. You’d be exasperated trying to convert them! It’s a matter of getting people who already agree to do something.”
 

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Surfrider’s power to effect change and protect coastlines and oceans depends on its activist network. “We’re not doing this through high-priced lobbyists in D.C,” Weber explained. “At a local level politicians care about whether people are going to vote for them. We train volunteers so that when they do stand up in front of a town council, they’ve got the science and the speaking skills to make the case in their communities for protecting the coast and the beaches. We invest a lot in that training - that’s how we rack up the victories. We do it without spending lots of money. We can make a big difference with three people turning up at town hall meetings and speaking a few times.”

We asked Weber about where the work of Surfrider intersects with climate change, especially in an era of unprecedented environmental threat and climate change denial

“On climate change, Surfrider has a unique position. We recognize that it’s an underlying factor - what we see happening on our beaches and in our oceans all relates to climate change, but we’re not working on the emissions end of the problem. Someone wants to put up a seawall. Why? The water level is rising and the beach is eroding - that’s climate change, but we’re at the table with insurance companies, real estate developers and risk assessors. We’re not going to convince them with charts and graphs about global warming. We’ll convince them with the dollars and cents: ‘You will lose money.’ That makes it easier for people. Also, we keep our work local and grassroots: ‘Your local beach is disappearing and here’s a plan to protect the private property.’ If they love the beach, they’re in - we had them at ‘beach’. People can actually see the local manifestations of that work.”

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Of all the challenges faced under Surfrider’s broad remit, we wanted to know the most pressing issues for the East Coast region Weber manages. 

“Oil and gas affects the whole East Coast, so it’s number one to me,” Weber said. “In this region and for the NYC chapter, the Williams Transco Pipeline is a big one - it’s coming from New Jersey and multiple chapters are affected. NYC is doing an incredible job on that right now, and it feeds into the bigger climate change debate. When we’re fighting the fossil fuel industry, it’s never about the facts. We can win the fight because of power, because we have amassed an amount of power politicians can’t ignore. I can get more votes by bringing in the wind energy people, because it’s about creating a new industry.”

Another issue at the top of Weber’s list is plastic pollution in the ocean. The scale of this problem has come to the fore in recent years with scientific documentation of the mind-boggling Atlantic and Pacific gyres, swirling with slowly-degrading plastics that are working their way into the food chain. 

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“It’s a reminder that we’re not paying attention and we’re mucking the place up. Who wants to go surfing with a bunch of plastic crap in the ocean? Surfrider has been working on it for over ten years, and a newer offshoot is our ocean friendly restaurant program, with a goal of serving 500,000 plastic-free meals. Hundreds of restaurants have registered for that program. As seemingly the whole world has changed its attitude about plastic straws, one of the requirements for participating restaurants is ‘straws on request’ - i.e. for people who actually need them. You can live your entire life with a reusable coffee cup and a reusable water bottle. This kind of programmatic work is never really done - there is nobody on the opposing side fighting against you. Millenials are more on this than older generations for sure. Young kids just get it - it hurts animals!”

Finally, we asked how Weber stays motivated when this line of work can seem like an endless uphill battle. 

“The legendary environmentalist John Miur said, ‘All the victories are temporary and all the losses are permanent.’ I don’t know why I’m hopeful. There seem to be more losses than victories, but I’m super motivated by the volunteers that come out of the woodwork - they have plenty of passion. Because people continue to come forward and take a basic step like helping with a beach cleanup or leading an action, I continue to be hopeful.”

We'd like to thank John Weber for taking the time to educate us about the important work Surfrider does. 

Our enjoyment of the world's oceans is literally Surfrider's mission, so if you haven't already, please --> join the Surfrider Foundation <-- right now!

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Interview by Ed Thompson

shaper, portrait, feature

Tony Caramanico - Barn Storming Part I

A while ago, Tony Caramanico made the grave mistake of inviting myself and Julien to check out his barn full of surfboards in Montauk. Tony has lost count of the number of boards inside, but the place is bursting at the seams. The last census tallied close to a hundred.

Needless to say, we emptied the barn across Tony's lawn and proceeded to photograph a stack of them in painstaking detail, peppering him with questions about the history of each one, and occasionally trying to stuff one into our car when he wasn't looking. At the end of the day he pretty much had to ask us to leave, but thankfully before that happened, we managed to extract some of the stories behind the highlights!

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"Montauk board builder Jim Goldberg made this beauty for Eric "bull" Olsen, for bigger waves. It's a real piece of Montauk surf history.  I acquired it from Eric and it is the only one like it. It was made in the late nineties, but it really represents board design from the late sixties and early seventies."

 

RASMUSSEN TWIN FIN

"This is the last board Ricky made for me before he died.  It holds lasting memories for me and I rode it in an Andy Warhol video filmed here in Montauk around 1982. In 2015 it was exhibited in the "Surf Craft" show curated by surf historian Richard Kevin here on Long Island, NY."

Props to Tony for hanging out and sharing all these great stories - we were truly stoked to browse through such an incredible collection. Stay tuned - we'll be sharing lots more in the coming weeks!

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Words by Ed Thompson

Photographs by Julien Roubinet

portrait, feature, surf session

Fiona Mullen - Three Frames

Finding surf photography that goes beyond the classic barrel and beach shots is a rare pleasure. Waves themselves and the act of surfing can be so visually compelling that the bigger story gets lost, but one photographer pushing to find new angles and narratives in New Jersey surfing is Fiona Mullen. We invited Fiona to send us three shots and tell us the stories that led up to each one. We're stoked to share the images and their stories with you here!

Bradley Rain

Bradley Rain

"On a gloomy day in early June, some of my friends were surfing the jetty down my street. I put on my spring suit for the first time of the season, hopped on my bike, and headed for the beach. While swimming I saw these clouds coming from the distance and knew something crazy was about to happen. Lighting, thunder, hail, and rain all arrived at once. The waves turned on and the few of us that were out there were just amazed by what was going on. Even though it might not have been the biggest day of waves, I still got some of my favorite images ever. The solitude and subtle moments of surfing are what I love to capture the most."

Bradley Sunrise

Bradley Sunrise

"When there's waves in New Jersey, most of us are up at dawn to check the surf. This means endless sunrises, watching the sun rise above the horizon from the water. Every year, there are those select few mornings when the sky does some amazing things. This specific morning while waiting for the tide to change, we experienced the most colorful sky I had ever seen- with a rainbow and even lighting out in the distance. These moments make getting out of bed in those early hours so worth it. Being in the right place at the right time is what its all about. Not everyday in New Jersey is a perfect day for waves or weather, but when those days do come around we appreciate them that much more."

Long Branch

Long Branch

"The combination of fear and adrenaline before swimming out on big days like this always makes me question what I am about to do. With three feet of snow on the ground, straight brown water, and perfect barrels, I knew I had to document it. The passion and dedication surfers have in New Jersey is like no other place. People who don't do it think its crazy and most likely they will never understand why we go out in below-freezing temperatures. I think a little bit of craziness and adventure seeking is only healthy; life would be boring without it."

To see more of Fiona's work (highly recommended), check out her Instagram.
For our updates follow @icecream.headaches.

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Matt Clark - Four Frames - Part II

Following on from Part I earlier this week, here's the second installment of four photos from Long Island Photographer Matt Clark. 

Jesse Joeckel - Greenbush, Indonesia

Jesse Joeckel - Greenbush, Indonesia

Matt was shooting at a shallow, left-breaking reef in Indonesia when, by chance, he turned to look back at the beach, risking a closeout on the head. Jesse kicked out of a wave at the same moment. “I shot the sequence,” Matt explained, “and when I dumped the memory cards to my hard drive on the boat, I saw one that just captured this weightlessness, balance and tranquility that seemed special.”

When Matt returned home to New York and edited the images, he found the image more powerful when it was rotated through 180 degrees. “Finding this being, suspended in time looked beautiful to me,” Matt told us. “Often I won't find the most beautiful moment until months and months later when revisiting my work. I spend a lot of time looking for these moments and editing them over and over again until I feel satisfied.”

1998 - Long Beach, NY - Tom Zaffuto paddling out

1998 - Long Beach, NY - Tom Zaffuto paddling out

Aged 14, Matt took this photo of his friend Tom paddling out to bodyboard Long Beach. The photo was taken with a disposable waterproof camera. He submitted the photo to Bodyboarding Magazine and they ran it in the reader photos section. “I felt a duty to represent the place I was born and raised and felt as if I needed to prove to the world that you can be a surfer/photographer from New York,” Matt told us. “Nearly 20 years later and I'm still here doing it.”

To see more of Matt's work, check out his website

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