long island

shaper, portrait, feature

Tony Caramanico - Barn Storming Part I

A while ago, Tony Caramanico made the grave mistake of inviting myself and Julien to check out his barn full of surfboards in Montauk. Tony has lost count of the number of boards inside, but the place is bursting at the seams. The last census tallied close to a hundred.

Needless to say, we emptied the barn across Tony's lawn and proceeded to photograph a stack of them in painstaking detail, peppering him with questions about the history of each one, and occasionally trying to stuff one into our car when he wasn't looking. At the end of the day he pretty much had to ask us to leave, but thankfully before that happened, we managed to extract some of the stories behind the highlights!

HOOK GUN

"Montauk board builder Jim Goldberg made this beauty for Eric "bull" Olsen, for bigger waves. It's a real piece of Montauk surf history.  I acquired it from Eric and it is the only one like it. It was made in the late nineties, but it really represents board design from the late sixties and early seventies."

 

RASMUSSEN TWIN FIN

"This is the last board Ricky made for me before he died.  It holds lasting memories for me and I rode it in an Andy Warhol video filmed here in Montauk around 1982. In 2015 it was exhibited in the "Surf Craft" show curated by surf historian Richard Kevin here on Long Island, NY."

Props to Tony for hanging out and sharing all these great stories - we were truly stoked to browse through such an incredible collection. Stay tuned - we'll be sharing lots more in the coming weeks!

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Words by Ed Thompson

Photographs by Julien Roubinet

portrait, feature

Matt Clark - Four Frames - Part II

Following on from Part I earlier this week, here's the second installment of four photos from Long Island Photographer Matt Clark. 

Jesse Joeckel - Greenbush, Indonesia

Jesse Joeckel - Greenbush, Indonesia

Matt was shooting at a shallow, left-breaking reef in Indonesia when, by chance, he turned to look back at the beach, risking a closeout on the head. Jesse kicked out of a wave at the same moment. “I shot the sequence,” Matt explained, “and when I dumped the memory cards to my hard drive on the boat, I saw one that just captured this weightlessness, balance and tranquility that seemed special.”

When Matt returned home to New York and edited the images, he found the image more powerful when it was rotated through 180 degrees. “Finding this being, suspended in time looked beautiful to me,” Matt told us. “Often I won't find the most beautiful moment until months and months later when revisiting my work. I spend a lot of time looking for these moments and editing them over and over again until I feel satisfied.”

1998 - Long Beach, NY - Tom Zaffuto paddling out

1998 - Long Beach, NY - Tom Zaffuto paddling out

Aged 14, Matt took this photo of his friend Tom paddling out to bodyboard Long Beach. The photo was taken with a disposable waterproof camera. He submitted the photo to Bodyboarding Magazine and they ran it in the reader photos section. “I felt a duty to represent the place I was born and raised and felt as if I needed to prove to the world that you can be a surfer/photographer from New York,” Matt told us. “Nearly 20 years later and I'm still here doing it.”

To see more of Matt's work, check out his website

To keep up with our latest news and stories, hit us up on Instagram

feature, portrait

Matt Clark - Four Frames - Part I

This week we're excited to share four photographs by Long Island photographer Matt Clark, and the story behind each one. Through Matt's tireless dedication he has gradually carved out a niche for himself on the water's edge. When we interviewed him for the book, we sat in his lounge and scrolled through his library of photos, entranced by a colorful, hypnotic display of the beauty, power and variety of the ocean. We love his work and we hope you will too. 

After Hurricane Sandy, Long Beach, NY - Rob Bielawski

After Hurricane Sandy, Long Beach, NY - Rob Bielawski

“This is an image of a friend named Rob Bielawski after Hurricane Sandy,” Matt explained. “The cold, harsh concrete, the debris in the sand, the lack of sky - it's very urban. I love capturing images where the surfer is unidentifiable. When I used to look at surf imagery growing up, my favorite images were the ones I could imagine myself in, and I can't imagine myself if I can see someone's face.”

6 months after the storm hit New York, the shattered boardwalk had been completely dismantled, leaving only a concrete skeleton. Matt was on the beach shooting another swell when someone walked between the pillars, briefly creating this dramatic framing. Matt took note and took an opportunity the very next morning to re-frame the shot with a friend. “It’s an unidentifiable urban environment,” Matt said, “but you know the surfer is going to escape the weight of the world by going for a surf.”

October 23rd, 2006 - Long Beach, NY - Nor-Easter swell from the roof of the Jackson Hotel

October 23rd, 2006 - Long Beach, NY - Nor-Easter swell from the roof of the Jackson Hotel

Matt planned this image months in advance and his diligence was rewarded. This photo scored a double page spread in Surfing Magazine, hailed as iconic by the magazine’s photo editor, Steve Sherman. “This was a defining moment in my photography career,” Matt told us. “It was the first image that ran as a featured photograph in a magazine as large as Surfing.”

Matt had envisioned the image in sketches made months before he took it, so finally creating it and having the photo published showed that real dedication pays off. “I had illegally scaled the fire escape of this building with a backpack full of camera gear to scout out the position,” Matt explained. “Pulling myself up the final ladder, my nerves were on edge. This was 5 years after 9/11 and I imagined the police and FBI being called about a sniper on the roof.”

The day Matt scouted the shot, there were no waves to speak of, but he took note of the angle, framing and the lens he’d need when the moment came. 

Sure enough, that day came. A Nor-Easter rolled into New York with howling NE winds, building swell and ominous grey skies. “I spent some time photographing from the beach and thought to myself: ‘I may as well go shoot from the roof of this hotel.’”

Rather than climbing the decrepit, rusting ladder in the rain, Matt convinced a janitor in the hotel lobby to take him to the roof. He lied to the janitor, pretending he’d left a lens cap on the roof the day before.

“He said ‘no problem,’ but he’d have to accompany me up. I did my best to tell him I would be fine, worried he would  watch me the entire time and only give me a minute to shoot, but he insisted.” Matt managed to bluff his fictional search for the lens cap for a full ten minutes, shooting photos of the waves from the roof as he went. He snagged this shot of a wave breaking across the gap between two buildings just as the janitor lost his patience. “In my illustration months before I drew a perfect A-frame, but this seems even better. I love lefts.”

Stay tuned for Part II later this week. 

Check out a few more of Matt's photos we'll be featuring on Instagram this week.